The version included with the install also includes loads of extra help files.ĪATranslator was originally developed to take advantage of Adobe Audition's excellent editing capability where the result was to be mixed in a ProTools equipped facility. It's in the form of an Excel spreadsheet. Especially because when I play through speakers THAT sounds correct, but the midi playback is screwed up.To get a good understanding of what all the various formats we support can do, download 'Conversion Guide.xls' I suppose I can edit it in midi - but it's not clear to me why the midi "reader" - if you will - has such a difficult time picking up more accurate sounds. 8 sixteenth notes, come out as all different levels. Now that that part of the issue is resolved, I can't seem to resolve the next midi issue - the uneven strikes part. Which made the entire recording push and pull in ways that made me question my sanity. So, the tempo was irrelevant - just set up as a rough approximation - but it was moving snare and bass toward bar lines at odd points. I didn't have quantization on - but I had "snap to grid" on (it was a default). > problematic if your BPM in Reaper does not match your playing BPM. > cancelling certain strikes? This could be especially > that you have quantization turned on and that that is > I'm stabbing in the dark here, but is there any possibility But, from what I know about latency issues, it's that the notes are late, rather than absent. no errors, just missing notes.Īnyone had a similar experience? Anyone have any ideas? (My first inclination is to trade in the M-Audio cable for one of the $200 m-audio boxes and grab the sounds that way. My laptop is about a year old, a mid-grade sony - with who knows what on it. I'm recording with reaper, and my td-9 is connected to the laptop computer I have via an M-Audio cable. Some hi-hat notes, some of the snare backbeats were gone, it was pretty weird. And, a bunch of those notes were missing too. I then decided to go back and check it a different way: I played a very slow and simple 4/4, rock grove, eight notes on the hi-hate, 2 and 4 on snare and 1 and 3 on bass. I thought - hmm, either I'm imagining playing better or something is going on here. So the track recorded back and with missing notes in a drum groove, it makes you sound like a pretty awful player. But the recording software didn't pick up all the intracacies, even though I heard the notes in my headphones. My first recorded track included lots of ghost notes in a pseudo alt-rock groove. I recorded a few simple midi-tracks in preparation for recording other projects with a buddy of mine. It sped me through a quick recording to check my gear. Just re-read the proceedures, keeping in mind that you must first produce an audio file of the drum part, then combine it with your other recording.įirst and foremost - thanks for this string. Once that is done, then you render your MP3. Once you have that audio track, you import it into the audio recording that has the other instruments, move it left or right to get it all in sync and balanced volume-wise. This is done simply by playing back the MIDI drum track through Reaper with your computer hooked up to your module, and recording the audio track from whatever outputs work best for you. Now, to get your drum performance and your original track together, you must first make an audio recording of the drums all by themselves. I suppose there are ways to combine a MIDI performance and audio recording in a single project, but I'm sure it would require your having the MIDI samples resident on your computer, rather than in the module as they apparently are now. Remember, in my simple example, MIDI and audio have to be handled entirely separately. It sounds to me like you have not recorded your module's playback and combined it with your original audio track.
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